Vol. 8 (2014): Enero - Diciembre | Revista Colombiana de Artes Escénicas

Las acciones corporales dinámicas. Interpretación del trabajo corporal del intérprete escénico en el teatro moderno a partir del principio de alteración del equilibrio.

Sierra M. Sergio

Article Visits 170 | PDF Visits 81 | pp. 144-159 | Published: 2014-01-01

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The actor as an interpreter

El actor como intérprete

González Betancur Juan David

Article Visits 30 | PDF Visits 11 | pp. 160-169 | Published: 2014-01-01

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Dialogues of experience- intensive exploration work on the suspended body

Diálogos de experiencia – trabajo intensivo de exploración del cuerpo suspenso

Garcia Millás Claudia Regina, Noboa Cueva María Fernanda

Article Visits 21 | PDF Visits 6 | pp. 170-180 | Published: 2014-01-01

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Direction, memory and gender

Dirección, memoria y género

Hurtado Sáenz Liliana

Article Visits 20 | PDF Visits 9 | pp. 181-194 | Published: 2014-01-01

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Cassirer vs artaud en el lenguaje

Zuluaga Gómez Rubén Darío

Article Visits 24 | PDF Visits 8 | pp. 195-200 | Published: 2014-01-01

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The biographic space of the luna lunera company: memory, narrative and performance

El espacio biográfico de la compañía luna lunera: Memoria, narrativa y performance

Mendes Francelino Elton, de Andrade Lucimara

Article Visits 23 | PDF Visits 10 | pp. 201-212 | Published: 2014-01-01

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Reflections on the process of “la devota” (“the devotee”) character creation from the play “si el río hablara…” (“if the river spoke…”) in the collective creation perspective

Reflexiones sobre el proceso de creación del personaje “la devota” de la obra “si el río hablara” en la perspectiva de creación colectiva

Escobar Aillón Alexandra

Article Visits 29 | PDF Visits 11 | pp. 213-227 | Published: 2014-01-01

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El cuarto rojo

Carvajal Jonny Fernando

Article Visits 22 | PDF Visits 7 | pp. 231-234 | Published: 2014-01-01

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Entre platos

Castillo Salazar Elizabeth

Article Visits 14 | PDF Visits 7 | pp. 235-237 | Published: 2014-01-01

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A un paso de la muerte

Valencia Edwin

Article Visits 13 | PDF Visits 8 | pp. 238-240 | Published: 2014-01-01

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Acting and directing in the school

Actuar y dirigir en la escuela

Martínez Contreras María del Mar

Article Visits 25 | PDF Visits 7 | pp. 243-250 | Published: 2014-01-01

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Deepening in actuation through projects

Profundización en actuación por proyectos

Molina Cruz Juan Camilo

Article Visits 17 | PDF Visits 7 | pp. 251-257 | Published: 2014-01-01

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Presentation

Presentation

Editorial

Editorial

Monográfico

Documentary strategies in contemporary theatre practice: the actor in the edges of the theatre scene

What policies for art sciences: towards a radicant cartography

Introduction to valere novarina’s thought from his letter to the actors

Woman, war and memory. From the image to performer’s body

García lorca’s play-writing, maternal cultural study

Tomato theatre. A reflection about acting techniques for cyborgs.

Esther goris as eva perón Juan Carlos Desanzo’s film. Acting construction of a political body

Digital body as a substratum of being body. Fundamental category of the digital performance “huellas digitales” (“digital fingerprints”)

The tragedy of the inverse theater about armero: a proposal of drama, staging and actuation

Prophets in motion on the scene

My experience with the layton method

Dynamic body actions. Interpretation of the scenic performer body work in modern theatre from the principle of balance alteration.

The actor as an interpreter

Dialogues of experience- intensive exploration work on the suspended body

Direction, memory and gender

Cassirer vs artaud en el lenguaje

The biographic space of the luna lunera company: memory, narrative and performance

Reflections on the process of “la devota” (“the devotee”) character creation from the play “si el río hablara…” (“if the river spoke…”) in the collective creation perspective

Semilleros de pensamiento / dramaturgia / texto corto

El cuarto rojo

Entre platos

A un paso de la muerte

Acting and directing in the school

Deepening in actuation through projects

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