Authors
Abstract
Abstract: The static image has been conditioned, in its observation, by the expectant subject’s cognitive ability so that his interpretation will depend on innumerable factors, from which many are linked to the sense of hearing, as it is associated through various mental processes with the sense of sight, combining information which will result in a variable experience depending on the environmental acoustic stimulation. It can be transformed in this way by the sound incidence, from the semantic structure of the basic constitutive elements of the static image, such as color and shape, until the general syntax of the total iconic composition. This text deals with the consequences derived from the intrusion of a structure that itself contains a time and a different syntax such as the sound, parallel to the device that contains the still picture, tending to analyze, value and to propose the generation of new ideas in the design projective activities diversifying the conventionality of the isolated image in the immediate context.
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References
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