pdf (Español (España))
FLIP
How to Cite
della Faille, D. . (2015). Reflections about the social determinants of art and design: noise music in Latin America and Asia. Kepes, 12(12), 57–84. https://doi.org/10.17151/kepes.2015.12.12.4
More Citation Formats
Authors
Abstract
The paper is based on the author’s experience performing noise or experimental music in Latin America, East and South East Asia. In this paper, the author reflects on some social determinants of art and design. Dimensions such as technology, territory, identity, social characteristics and social acceptance are discussed. Additional topics such as class, gender, politics are covered. The author concludes that these do not shape the practice of noise music, they are also elements which provide frameworks on which artists and designer built
Keywords:
References
Anderson, L. (2010). Analytic Autoethnography. Journal of Contemporary Ethnography, 35(4), 373-395.
Atton, C. (2011). Fan discourse and the construction of noise music as a genre. Journal of Popular Music Studies, 23(39), 324-342.
Becker, H. S. (1982). Art Worlds. Berkeley, CA: University of California Press.
Bourdieu, P. (1993). The field of cultural production: Essays on art and literature. New York, NY: Columbia University Press.
Cook, P. S. (2014). “To actually be sociological”: Autoethnography as an assessment and learning tool. Journal of Sociology, 50(3), 269-282.
De la Fuente, E. (2007). The “New Sociology of Art”: Putting art back into social science approaches to the arts. Cultural Sociology, 1(3), 409-425.
Demers, J. (2010). Listening through the noise: the Aesthetics of experimental electronic music. Oxford: Oxford University Press.
Ellis, C. (2004). The ethnographic I: A methodological novel about autoethnography. Walnut Creek, CA: AltaMira Press.
Ellis, C., Adams, T. E., & Bochner, A. P. (2010). Autoethnography: An overview. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 12(1). http://nbn-resolving.de/urn:nbn:de:0114-fqs1101108
Goldmann, L. (1964). The Hidden God: a Study of tragic vision in the Pensées of Pascal and the tragedies of Racine. London: Routledge.
Hegarty, P. (2006). Editorial: Noise music. The Semiotic Review of Books, 16(1-2), 1-5. http://projects.chass.utoronto.ca/semiotics/srb/vol%2016.1.pdf
Hennion, A., & Grenier, L. (2000). Sociology of Art: New Stakes in a Post-Critical Time. In S. Quah & A. Sales (Eds.), The International Handbook of Sociology (pp.341-355). New York, NY: Sage Publications.
Jameson, F. (1974). Marxism and form: 20th-Century dialectical theories of literature. Princeton, NJ: Princeton University Press.
Luhmann, N. (2000). Art as a social system. Bloomington, IN: Stanford University Press.
Nelson, C., & Grossberg, L. (1988) Marxism and the interpretation of culture. Basingstoke: Macmillan Education.
Van Nort, D. (2006). Noise/music and representation systems. Organised Sound, 11(2), 173-178.
Atton, C. (2011). Fan discourse and the construction of noise music as a genre. Journal of Popular Music Studies, 23(39), 324-342.
Becker, H. S. (1982). Art Worlds. Berkeley, CA: University of California Press.
Bourdieu, P. (1993). The field of cultural production: Essays on art and literature. New York, NY: Columbia University Press.
Cook, P. S. (2014). “To actually be sociological”: Autoethnography as an assessment and learning tool. Journal of Sociology, 50(3), 269-282.
De la Fuente, E. (2007). The “New Sociology of Art”: Putting art back into social science approaches to the arts. Cultural Sociology, 1(3), 409-425.
Demers, J. (2010). Listening through the noise: the Aesthetics of experimental electronic music. Oxford: Oxford University Press.
Ellis, C. (2004). The ethnographic I: A methodological novel about autoethnography. Walnut Creek, CA: AltaMira Press.
Ellis, C., Adams, T. E., & Bochner, A. P. (2010). Autoethnography: An overview. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 12(1). http://nbn-resolving.de/urn:nbn:de:0114-fqs1101108
Goldmann, L. (1964). The Hidden God: a Study of tragic vision in the Pensées of Pascal and the tragedies of Racine. London: Routledge.
Hegarty, P. (2006). Editorial: Noise music. The Semiotic Review of Books, 16(1-2), 1-5. http://projects.chass.utoronto.ca/semiotics/srb/vol%2016.1.pdf
Hennion, A., & Grenier, L. (2000). Sociology of Art: New Stakes in a Post-Critical Time. In S. Quah & A. Sales (Eds.), The International Handbook of Sociology (pp.341-355). New York, NY: Sage Publications.
Jameson, F. (1974). Marxism and form: 20th-Century dialectical theories of literature. Princeton, NJ: Princeton University Press.
Luhmann, N. (2000). Art as a social system. Bloomington, IN: Stanford University Press.
Nelson, C., & Grossberg, L. (1988) Marxism and the interpretation of culture. Basingstoke: Macmillan Education.
Van Nort, D. (2006). Noise/music and representation systems. Organised Sound, 11(2), 173-178.
Downloads
Download data is not yet available.
