Authors
Abstract
In the extensive meaning of interior spaces interrogating architectural quality and the experience of people inhabiting built spaces, it is the aim of this text to contribute to the reflection about interiors’ atmospheric quality. Interiors referring to the sensorial qualities a space sends out have impact in the subjective representation of the space and in the individual use of it. The projects of the contemporary Spanish born designer Patricia Urquiola (°1961) invite to a discussion about design of interiors aiming to conceive spaces with atmospheric quality that express identity. This text addresses from a phenomenological approach three different examples of different typologies and architectural programmes: Casa Moroso, Mandarin Oriental Hotel and Missoni Stores in Milan and Paris. The text concludes that the original achievement of these projects voice the relevance of creating interiors as empathic sceneries of spaces recognized from its identity character and image. It stresses that interior architecture takes a key role in creating places that emphasize architecture as a human experience of atmospheres.
Keywords:
References
Biography. In B&B Italia. Retrieved from: http://www.bebitalia.com/en/designers/patricia-urquiola.html/, 05.01.2016
Böhme, G. (1997). Atmosphäre. Essays zur neuen Ästhetik. 2. Auflage. Frankfurt am Main: Suhrkamp.
______. (2005).‘Atmosphereasthesubject matter ofArchitecture.’ In Philip Ursprung (Ed.), Herzog and De Meuron. Natural History. Zürich: Lars Müller Publishers.
Brechtel, V. (2010). Eames +Missoni = Heaven [Web log post]. Retrieved from: http://erikabrechtel.com/2010/11/03/eames-missoni-heaven/
Crockett, K. ‘A few minutes’ walk from Mandarin Oriental, Barcelona, you’ll find a wealth of architectural gems from the gilded era of Catalan modernisme – Gaudí’s fantastical works among them’. Destination MO. Retrieved from: http://www.mandarinoriental.com/destination-mo/luxury-travel-destinations/barcelona/gaudi-architecture-height-of-opulence.aspx, 20.11.2015
Dhillon, N. ‘Patricia Urquiola’s award-winning design is on full show at the Mandarin Oriental Barcelona, with her stylized modern interior. Our correspondent introduces the Spanish-born talent’. Destination MO. Retrieved from: http://www.mandarinoriental.com/destination-mo/luxury-living/fine-artand-luxury-design/patricia-urquiolas-design.aspx, 20.11.2015
_Fujimoto, S., Ito, T., Igarashi, T., Fujimori, T. (2007). Sou Fujimoto: Primitive Future, Contemporary Architect’s Concept Series 1. Japan: INAX Publishing.
Hughes, D.T. (2010). Patrizia Moroso’s house by Patricia Urquiola. Retrieved from: http://www.yellowtrace.com.au/patrizia-moroso-house-by-patricia-urquiola/
Kahn, L. (2013). Silence and Light. Zurich: Park Books.
Leydecker, S. (2013). Designing Interior Architecture. Concept, Typology, Material and Construction. Basel: Birkhäuser.
Living. In Missoni. Retrieved from: http://www.missoni.com/missoni-home/living?menuseason=main&tp=110567&gclid=COe3hqCL-ssCFckV0wodhV4JOA, 20.11.2015
Marcus, G.H., Whitaker, W. (2013). The Houses of Louis Kahn. New Haven/ London: Yale University Press.
Menkes, S. (2003). Missoni’s family mosaic. International Herald Tribune.
Mission and Guiding Principles. (2015). In Mandarin Oriental – The Hotel Group. Retrieved from: http://www.mandarinoriental.com/about-us/mission/
Missoni Milan. In Patricia Urquiola. Retrieved from: http://www.patriciaurquiola.com/architecture/missoni-3/, 22.11.2015
Missoni Paris. In Patricia Urquiola. Retrieved from: http://www.patriciaurquiola.com/architecture/missoni-2/, 22.11.2015
Moroso Design: Made In Senegal For The Rest Of The World (2014). In The New Africa. Retrieved from: http://www.thenewafrica.info/moroso-designmade-senegal-world/
Sullivan, C.C. (2013). Molto Missoni: Urquiola Dresses Up Milan Flagship. Retrieved from: http://www.interiordesign.net/projects/9582-molto-missoniurquiola-dresses-up-milan-flagship/
Patricia Urquiola. (2015). In Moroso. Retrieved from: http://www.moroso.it/designers/patricia-urquiola/
Pauly, D., Habersetzer, J. (2008). Barragán. Spaces and shadows, walls and colour. Basel: Birkhäuser.
Pombo, F., Bervoets, W., De Smet, H. (2015). ‘Phenomenology for Introductory Architectural Analysis Courses: The Pentagon Methodological Approach’. Design and Technology Education, 20 (2), 58-69.
Private Residential Udine. In Patricia Urquiola. Retrieved from: http://www.patriciaurquiola.com/architecture/private-residential/
Robertazzi, S., Valenti, A. (2013). Patricia Urquiola. Time to make a book. New York: Rizzoli.
Spier, S. (2001). ‘Place, authorship and the concrete: three conversations with Peter Zumthor’. Architectural Research Quarterly, 5 (1), 15-36.
Travis, D. (2012). Let the Mediterranean inspire your lighting. Retrieved from: http://homes.winnipegfreepress.com/winnipeg-real-estate-articles/renovationdesign/Let-the-Mediterranean-
inspire-your-lighting/id-2911
Tyng, A. (1984). Beginnings: Louis I. Kahn’s Philosophy of Architecture.Wiley Publishers.
Zucconi, R. (2014). ‘Nel verde a casa diPatrizia Urquiola. Il progetto di Patricia Urquiola condiviso con Martino Berghinz’. Elle Decor. Retrieved from: http://www.elledecor.it/case/patrizia-moroso-patricia-urquiola-casa-MartinoBerghinz-udine#
Zumthor, P. (2006). Atmospheres: architectural environments, surrounding objects. Basel: Birckhauser.
Vergés, M. (2007). Light in Architecture. Antwerp: Tectum Publishers.
Welcome to the new Barcelona. In Condé Nast Traveller. Retrieved from: http://www.cntraveller.com/photos/photo-
galleries/the-new-barcelona/page/themandarin-oriental,-barcelona, 22.11.2015.