Authors
Abstract
Abstract
Everything art had metaphorized is already materialized, immersed in reality. We live in the realization of utopia, its submersion in real time. Invaded by images, this new fiction regime currently affects social life, by polluting it. It penetrates social life to the point of making us doubt its reality, its sense and its identity and alterity categories that construct and define it. Terms such as hyper-reality, real time, transparency, act as landmarks to create our “events landscape” as a countermovement in this total screen world where look’s accident becomes a divine accident.
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References
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