Cyvers city: poetry and practice

Resumo

Abstract: This article reflects on the work called Cyvers City whose intention to combine pioesis with technique, locates it in the area of deep questions that have been asked in the western aesthetics from the separation artists made of handcrafted production. The connection with science that art has been pursuing since the Renaissance finds in projects such as Cyvers one of the ways that, proposed from the author, tend for the transformation of our perception and idea of the world.

Referências

References and Notes
Notes
In Latin America, is accepted that science education belongs to modernism as
part of the emergence of the nations since the XIX century. The Cyvers concept is
a consequence of a work in progress unifying physics and biological concepts, that was part of my early studies, poetry and research.
“I. A.” It is a collective, created to introduce a new concept concerning the intervention of technology and the role of artist related to advanced technological proceeded and engineering created in the early eighties by the author. Pierre Restany launched part of this production it in 1992 as he Language of energy.
References
Sulic, Susana. (1997). Clonage Formel. En: L’image dans tous ses états. Paris: John Libbey, Institut Cochin de Génétique Moléculaire.
________. (2004). Science et Technologie dans l’Art Contemporain en Argentina.
Paris: L’Harmattan. ________. (2012). Auto-Bio hiper graphica. Udine: Campanotto Editore.