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Cuartas Correa, J. D. . (2018). Reflections on media archeology free software. Kepes, 15(17), 69–92. https://doi.org/10.17151/kepes.2018.15.17.4
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Authors
José David Cuartas Correa
Universitaria Los Libertadores
Abstract
With the construction of media archeology free software, this text seeks to reflect on the reasons for its emergence and the threats it represents for creators not having control over the technologies used in the context of their creation projects. In addition, it examines one of the main characteristics that free software is supposed to have: the software used can be modified, can be studied and changes to the source code can be made, although, in practice, not everyone has the necessary skills to do it. This text is interested in the possible creative opportunities that can arise when designers, artists and creators stop being passive consumers of technologies for the exercise of their professional work. It also analyzes the problem of only adopting technologies and the importance of having more control over them, especially to adapt them to the specific needs in the creation processes. This text presents a critical stance on various aspects of the philosophy and the practical use of free software in the context of creation.
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Barragán, H. (2003). Wirign. Recuperado de http://wiring.org.co/.
Bolter, J.D. and Grusin, R. (2000). Remediation: Understanding new media. Cambridge, USA: MIT Press.
Brand, S. (1988). The Media Lab: Inventing the future at MIT. New York, USA: Penguin Books.
Ellingsen, E. (2007). $ 2 multitouch. Recuperado de https://www.youtube.com/watch?v=yzNh31q61gc.
Elliott, J. (2008). The Last HOPE: Dirty New Media - Art, Activism, and Computer Counter-Cultures. Recuperado de https://www.youtube.com/watch?v=iFIwzB1WKz8.
Fernández, C. (2013). El diseñador del futuro. KEPES, 10 (9), 129-148.
Fogel, K. (2005). Producing open source software: How to run a successful free software project. Sebastopol, USA: O’Reilly.
Gates, B. (1976). Una carta abierta a los usuarios por hobby. Recuperado de http://alfonsogu.com/2007/04/27/carta-de-bill-gates-en-favor-del-softwarepropietario/.
Gaylor, B. (2008). RiP!: A Remixer's Manifesto. Recuperado de https://www.youtube.com/watch?v=Q-I5m3Sl_Gk.
Getty, M. (2000). Blood and oil. The Economist. Recuperado de Gigliotti, D. (2003). Radical Software. Recuperado de http://www.radicalsoftware.org/e/history.html.
González, J., Seoane, J. y Robles, G. (2008). Introducción al software libre. Barcelona, España: Universitat Oberta de Catalunya.KEPES, 7 (6), 195-210.
Hancock, T. (2008). License Classification Icons. Recuperado de http://freedomdefined.org/Logos_and_buttons.
Higgins, D. (1970). Computers for the arts. New York, USA: Abyss publications.
Huhtamo, E. and Parikka, J. (2011). Media Archaeology: Approaches, Applications, and Implications. Chicago, USA: University of California Press.You are not a gadget: A manifesto. New York, USA: Vintage Books.
Lee, J. (2008). Johnny Lee: Wii Remote hacks. Recuperado de https://www.youtube.com/watch?v=QgKCrGvShZs.
Lessig, L. (2004). Free culture: How big media uses technology and the law to lock down culture and control creativity. New York, USA: Penguin Press.
Levy, S. (2010). Hackers: Heroes of the Computer Revolution. Sebastopol, USA: O’Reilly. Kac: cuerpos y mentes en expansión. En A. Burbano y F. Ali-Brouchoud (Ed.), Eduardo Kac: el creador de seres imposibles (pp.17- 22). Manizales, Colombia: Universidad de Caldas.
Manrique, M.J. y Rueda, C.A. (2002). Loro. Un sistema de programación. Recuperado de https://sourceforge.net/projects/loro/.
Mansoux, A. and Valk, M. de (Ed.). (2008). Floss + art. Poitiers, France: GOTO 10.
Manual do Mundo. (2015). Como fazer uma lente de aumento em casa. Recuperado de https://www.youtube.com/watch?v=iGgO82eBsAI.
Morton, P. and Sandin, D.J. (1976). General Motors (Part 2) - Phil Morton (1976). Recuperado de https://vimeo.com/59157626.
Negroponte, N. (1976). Soft architecture machines. Cambridge, USA: MIT Press.
Nelson, T. (2008). Geeks Bearing Gifts. Sausalito, USA: Mindful Press.
Nelson, T. (2012). Computers for Cynics 0 - The Myth of Technology. Recuperado de https://www.youtube.com/watch?v=ugcUNI9Wl2c.
Sennett, R. (2009). El artesano. Barcelona, España: Anagrama.
Shiffman, D. (2014). OpenKinect-for-Processing. Recuperado de https://github. com/shiffman/OpenKinect-for-Processing.
Stallman, R. (1983). Initial Announcement - GNU Project. Recuperado de http://www.gnu.org/gnu/initial-announcement.en.html.
Stallman, R. (1985). The GNU Manifesto. Dr. Dobb’s Journal, 10. Recuperado de http://www.drdobbs.com/open-source/the-gnu-manifesto/222200498.
Stallman, R. (1986). What is the Free Software. Recuperado de https://www. gnu.org/bulletins/bull1.txt.
Stephenson, N. (2003). En el principio... fue la línea de comandos. Madrid, España: Traficantes de Sueños.
Taanila, M. (2003). The Dawn of dimi. Documental.
Victor, B. (2012). Bret Victor - Inventing on a Principle. Recuperado de https:// www.youtube.com/watch?v=a-OyoVcbwWE&feature=youtu.be.
Victor, B. (2013). Bret Victor The Future of Programming. Recuperado de https:// www.youtube.com/watch?v=8pTEmbeENF4.
Victor, B. (2013). Bret Victor - Stop Drawing Dead Fish. Recuperado a partir de https://www.youtube.com/watch?v=ZfytHvgHybA.
Zielinski, S. (1996). Media Archaeology. Recuperado de http://www.ctheory.net/articles.aspx?id=42.
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