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Fecha Publicación: 2012-01-01
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Sulic, S. . (2012). Cyvers city: poetry and practice. Kepes, 9(8), 89–99. Recuperado a partir de https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/464
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Resumen
El presente artículo justamente reflexiona en torno a la obra denominada Cyvers City, cuya intención por combinar la poïesis con la técnica, la ubica en los ámbitos de las profundas preguntas que se han hecho en la estética occidental desde la misma separación que los artistas realizaran de la producción artesanal. La vinculación con la ciencia que ha perseguido el arte desde el Renacimiento, encuentra en proyectos como Cyvers uno de los caminos, que propuestos desde la autora, propenden por transformar nuestra percepción e idea del mundo.
Palabras clave:
Citas
References and Notes
Notes
In Latin America, is accepted that science education belongs to modernism as
part of the emergence of the nations since the XIX century. The Cyvers concept is
a consequence of a work in progress unifying physics and biological concepts, that was part of my early studies, poetry and research.
“I. A.” It is a collective, created to introduce a new concept concerning the intervention of technology and the role of artist related to advanced technological proceeded and engineering created in the early eighties by the author. Pierre Restany launched part of this production it in 1992 as he Language of energy.
References
Sulic, Susana. (1997). Clonage Formel. En: L’image dans tous ses états. Paris: John Libbey, Institut Cochin de Génétique Moléculaire.
________. (2004). Science et Technologie dans l’Art Contemporain en Argentina.
Paris: L’Harmattan. ________. (2012). Auto-Bio hiper graphica. Udine: Campanotto Editore.
Notes
In Latin America, is accepted that science education belongs to modernism as
part of the emergence of the nations since the XIX century. The Cyvers concept is
a consequence of a work in progress unifying physics and biological concepts, that was part of my early studies, poetry and research.
“I. A.” It is a collective, created to introduce a new concept concerning the intervention of technology and the role of artist related to advanced technological proceeded and engineering created in the early eighties by the author. Pierre Restany launched part of this production it in 1992 as he Language of energy.
References
Sulic, Susana. (1997). Clonage Formel. En: L’image dans tous ses états. Paris: John Libbey, Institut Cochin de Génétique Moléculaire.
________. (2004). Science et Technologie dans l’Art Contemporain en Argentina.
Paris: L’Harmattan. ________. (2012). Auto-Bio hiper graphica. Udine: Campanotto Editore.
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