PDF
FLIP
Fecha Publicación: 2010-01-01
Cómo citar
Escobar Jaramillo, S. . (2010). Ciudadelas de conflicto. Tesis de Maestría. Kepes, 7(6), 211–249. Recuperado a partir de https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/489
Más formatos de cita
Autores/as
Resumen
‘Ciudadelas en los conflictos” es una tesis de Maestría que quiere mostrar cómo el proceso conceptual de la fotografía va de la realidad a la representación por modelos, pero también cómo las representaciones de estos modelos adquieren un nuevo significado, la realidad de virtualismo y la ilusión. Usar instalaciones o interactuar con modelos es inventar imaginarios, o llamar memorias, que podrían ser puestos sobre una base tangible para fotografiarlas después. Quiero reflexionar sobre ciudades imaginarias y la utopía de la guerra y el desplazamiento, imaginando cada foto como una ciudadela. Los modelos construidos que acompañan este texto se entienden como fortalezas, ya que incluyen, a veces al azar, todas las variables sociales, culturales y físicas que las ciudades tienen, como “imitación de la vida”. Una metáfora de las variadas e irónicas miradas de un desplazado, se podrían obtener al llegar a las ciudades o a los lugares urbanos. Por lo tanto, el ciudadano inesperado vive dentro de una ciudadela en el conflicto. El fenómeno de la guerra y el desplazamiento forzado son la cartografía de las nuevas ciudades en Colombia, que se registran en esta obra de una manera triste y satirizada.
Palabras clave:
Citas
ARANGO, M. (2007). Internally displaced Colombians speak out: let it be known. Geneve: International Displacement Monitoring Centre; Bogotá: Norwegian Refugee Council.
AUTHOR. (2005). Citadels in Conflict. Manizales: National University of Colombia.
________. (2008a). One to Seventy-two. London: Goldsmiths, University of London.
________. (2008b). Soldier Inside, the fetish. Anthropology of Art II. London:Goldsmiths, University of London.
________. (2008c). Street Signs. Magazine – Autumn 2008. London: CUCR – Goldsmiths, University of London.
________. (1993). Camera Lucida: Reflections on Photography. London: Vintage.
BAUDRILLARD, Jean. (1968). Le système des objets. Paris: Editions Gallimard.
___, Jean & NOUVEL, Jean. (2006). “Interviews”. Trans. by Author. En www.ddooss.org/articulos/entrevistas/J_Baudrillard.htm
BAUMAN, Zygmunt. (2003).City of Fears, City of Hopes. London: CUCR, Goldsmiths College, University of London.
BEARDSLEY, John. (2002). Guest Curator. Senior Lecturer at Harvard Universities Graduate School of Design. En www.andover.edu/Addison/exhibition/2002- Winter/eye.htm
BELSEY, A. (1998). Journalism and ethics: Can they co-exist?. In M. KIERAN (Ed.), Media Ethics. London: Routledge.
BENJAMIN, Walter. (1925-26a). The Arcades Project: Two versions of Paris capital of the 19th Century. Convoult on the Panorama. London.
________. (1925-26b). One-Way Street In One-Way Street and Other Writings. London: Verso 1985.
BERGER, John. (1980). About Looking. London: Writers an Readers Publishing Cooperative, Ltd.
BERGER, J. and MOHR, J. (1975). A Seventh Man: migrant workers in Europe. Cambridge: Granta Books.
BLAKE, William. (1803/1863). Auguries of Innocence. rpo.library.utoronto.ca/poem/161.html. Originally published in Poems (1863), D.G ROSSETTI (Ed.). London.
BORGES, Jorge Luis. (1962/1964). Labyrinths: selected stories & other writings.New York: New Directions Publishing Corporation.
BOYLE, P., K. HALFACREE & V. ROBINSON. (1998). Exploring Contemporary Migration. Essex: Wesley Longman limited.
BURNETT, R. (2004). How Images Think. London: The MIT Press.
CABALLERO, Antonio. (2007). Revista Semana.com. En www.semana.com
CAIRNS, Stephen. (2004). Drifting: Architecture and Migrancy. London: Routledge
CALVINO, Italo. (1996). Six Memos for the Next Millenium: Visibility. Great Britain: Vintage.
________. (1997). Le città invisibili. Great Britain: Vintage.
CLARKE, Graham. (1997). The Photograph. New York: Oxford University Press.
COLEMAN, A. D. (1998). Depth of Field: Essays on Photography, Mass Media, Lens Culture. New Mexico.
DALÍ, Salvador. (1944). Dream caused by the flight of a bee around a pomegranate, a second before waking up in ‘Surrealism’. London: Taschen.
DE CERTEAU, M. (1984). The Practice of Everyday Life. Trans. S. Rendall. Berkeley: University of California Press.
ELLISON, Ralph. (1952). Invisible Man. London: Penguin Books.
ENGELS, F. (1845). The Condition of the Working Class in England. London: Penguin.
FALCONI, José. (2007). Support letter. Boston: Curator Art Forum Harvard University.
FALS BORDA, Orlando. (1969). Subversion and Social Change in Colombia. New York: Columbia University Press.
FREEDBERG, D. (1989). The Power of Images. London: The University of Chicago Press.
GAVIRIA, José Obdulio. (2008). El país según José Obdulio. Revista Cambio. Bogotá: Publicaciones Cambio. cambio.com.co/portadacambio/789/4445405- ag-3_3.html
GELL, A. (1996). Vogel’s Net: Traps as Artworks and Artworks as Traps. Journal of Material Culture, 1: 15-38.
GIBRAN, Kahlil. (1966). The Essential Kahlil Gibran. New York: Citadel Press.
GILBERT, Alan. (1994). The Latin American Cities. London: Latin America Bureau.
GOTTWALD, M. (2004). Protecting Colombian refugees in the Andean region: the fight against invisibility. Oxford: Oxford University Press.
GROESZ, E. (1986). Language and the limits of the body: Kristeva and abjection. In E. GROSZ, T. THREADGOLD, D. NELLY, A. CHOLODENKO, E. COLLESS (Eds.), Futur*Fall: excursions into post-modernity. Sydney: Pathfinder Press and the Power Institute.
GRUNDBERG, Andy. (1990). Crisis of the Real; writing on Photography 1974-1989. West Hanover: Apertura.
HALLIDAY, Paul. (2008). MA Photography & Urban Cultures convenor. London: Goldsmiths, University of London.
HORKHEIMER, M. & ADORNO, T. (1987). Dialectic of Enlightenment. Translated by John Cumming. New Cork: Continuum.
HUMAN RIGHTS WATCH. (2005). Displaced and discarded: the plight of internally displaced persons in Bogotá and Cartagena. New York: Human Rights Watch.
JACKSON, John A. (1986). Migration. Aspects of Modern Sociology. New York: Longman Inc.
KEITH, M. (n.d.). Identity and the Spaces of Authenticity. London: Routledge.
KUSHNER, T. & KNOW, K. (1999). Refugees in an Age of Genocide. London: Frank Class.
LEFEBVRE, H. (1991). The Production of Space. Trans. D. Nicholson-Smith. Oxford: Blackwell.
LEVI-STRAUSS, Claude. (1968). The Savage Mind. Chicago: The University of Chicago Press.
LOS GAITEROS DE SAN JACINTO. (2006). Un Fuego de Sangre Pura. USA:Smithsonian Folkways Recordings.
LOZANOVSKA, M. (1997). Abjection and architecture: the migrant house in multicultural Australia. In NALBANTOGLU G. B. and THAI W. C. (Eds.),
Postcolonial Space(s), 1001-129. New York: Princeton Architectural Press.
LÜBBERS, M. & AUTHOR. (2008). Attraction: ‘Operación Jaque’. London: Quickflicker Film Festival.
LYNCH, Kevin. (1960). The Image of the City. Cambridge: M.I.T. Press.
MANDANI, Mahmood. (1973). From Citizen to Refugee: Ugandan Asians Come to Britain. London: Francis Pinter. N.A.
MARCUS, S. (1973). Reading the illegible city. In DYROS, H. J. and WOLFF, M. (Eds.), The Victorian City: Images and Realities. London: Routledge.
MATISSE. French edition. New York: Simon & Schuster.
MITCHELL, W. J. T. (2005). What do pictures want? Chicago: The University of Chicago Press.
MONSALVE, Diego. (1927). Colombian cafetera. Barcelona: Artes Gráficas.
MORTON, A. L. (1969). The English Utopia. London: Lawrence & Wishart.
MUÑOZ, Manuel Ramiro. (2008). DVV International – Migration and Integration: Educational Needs and Forced Displacement in Colombia. Number 70. www.iiz-dvv. de/index.php?article_id=728&clang=1
NAGLE, Luz E. (2004). Colombian asylum seekers: what practitioners should know about the Colombian crisis. Washington: Georgetown Immigration Law Journal.
NALBANTOGLU and W. C. THAI. (Eds.). Postcolonial Space(s). New York: Princeton University Press.
NERUDA, Pablo. (1969). Twenty love poems and song of despair. London: Jonathan Cape. www.neruda.uchile.cl
RAVENSTEIN, E. G. (1885). The Laws of Migration. London: Journal of the Royal Statistical Society.
RESTREPO, José Alejandro. (2008). Cuerpo teológico - político: una entrevista a José Alejandro Restrepo. Trans by Author. Revista Arcadia. Bogotá. www. periodicoarteria.com/articulos/art3.htm
RESTREPO, J. A. and SPAGAT, M. (2005). Colombia’s tipping point? London: International Institute for Strategic Studies.
RILKE, Rainier Maria, (1975). Duino Elegies and The Sonnets To Orpheus. Translated by A. Poulin, Jr. Boston: Houghton Mifflin Company.
SALDARRIAGA ROA, Alberto. (2001). La Arquitectura como Experiencia. Trans by Author. Bogotá: Villegas Editores.
SENNETT, Richard. (1977). The Fall of Public Man. Cambridge: CUP Chaps. Faber and Faber.
________. (1994). Flesh and Stone: Chapter 7 Places Full of Time. New York: W.W Norton and Blackwell Company.
SIMMIE, J. M. (1974). Citizens in Conflict: Social conflict and spatial inequality. London: Hutchinson and Co Ltd.
SHIELDS, Rob. (2003). www.carleton.ca/~rshields/index.htm
SONTAG, Susan. (2000). On Photography. New York: Penguin Books.
STALLYBRASS, P. and WHITE, A. (1986). The Politics and Poetics of Transgression. London: Methuen.
TAUSSIG, Michael T. (1980). Quoting a Colombian peasant. The Devil and Commodity Fetishism in South America. North Carolina: The University of North Carolina Press.
________. (1993). Mimesis and Alterity. New York: Routledge.
____. (1999). Defacement: Public secrecy and the labor of the negative. Stanford: Stanford University Press. Cover.
UNHCR. (1984). Cartagena Declaration on Refugees. Geneva: Media Relations and Public Information Service.
________. (2008). 2007 Global Trends: Refugees, Asylum-seekers, Returnees, Internally Displaced and Stateless Person. http://unhcr.org/statistics/ STATISTICS/4852366f2.pdf
VAN HEAR, N. & MCDOWELL, C. (Eds.). (2006). Catching fire: containing forced migration in a volatile world. Oxford: Lexington Books.
WILLIAMS, Raymond. (1973). The Country and the City. New York: Oxford University Press.
www.cambio.com.co/portadacambio/785/ARTICULO-WEB-NOTA_ INTERIOR_CAMBIO-4380169.html
www.eltiempo.com/justicia/2008-03-04/ARTICULO-WEB-NOTA_ INTERIOR-3984686.html
www.facebook.com/press/info.php?statistics
www.jasminacibic.org & pandbshowcase.co.uk/archive/round1/visual/#%23
www.revistaarcadia.com/ediciones/32/portada1.html
AUTHOR. (2005). Citadels in Conflict. Manizales: National University of Colombia.
________. (2008a). One to Seventy-two. London: Goldsmiths, University of London.
________. (2008b). Soldier Inside, the fetish. Anthropology of Art II. London:Goldsmiths, University of London.
________. (2008c). Street Signs. Magazine – Autumn 2008. London: CUCR – Goldsmiths, University of London.
________. (1993). Camera Lucida: Reflections on Photography. London: Vintage.
BAUDRILLARD, Jean. (1968). Le système des objets. Paris: Editions Gallimard.
___, Jean & NOUVEL, Jean. (2006). “Interviews”. Trans. by Author. En www.ddooss.org/articulos/entrevistas/J_Baudrillard.htm
BAUMAN, Zygmunt. (2003).City of Fears, City of Hopes. London: CUCR, Goldsmiths College, University of London.
BEARDSLEY, John. (2002). Guest Curator. Senior Lecturer at Harvard Universities Graduate School of Design. En www.andover.edu/Addison/exhibition/2002- Winter/eye.htm
BELSEY, A. (1998). Journalism and ethics: Can they co-exist?. In M. KIERAN (Ed.), Media Ethics. London: Routledge.
BENJAMIN, Walter. (1925-26a). The Arcades Project: Two versions of Paris capital of the 19th Century. Convoult on the Panorama. London.
________. (1925-26b). One-Way Street In One-Way Street and Other Writings. London: Verso 1985.
BERGER, John. (1980). About Looking. London: Writers an Readers Publishing Cooperative, Ltd.
BERGER, J. and MOHR, J. (1975). A Seventh Man: migrant workers in Europe. Cambridge: Granta Books.
BLAKE, William. (1803/1863). Auguries of Innocence. rpo.library.utoronto.ca/poem/161.html. Originally published in Poems (1863), D.G ROSSETTI (Ed.). London.
BORGES, Jorge Luis. (1962/1964). Labyrinths: selected stories & other writings.New York: New Directions Publishing Corporation.
BOYLE, P., K. HALFACREE & V. ROBINSON. (1998). Exploring Contemporary Migration. Essex: Wesley Longman limited.
BURNETT, R. (2004). How Images Think. London: The MIT Press.
CABALLERO, Antonio. (2007). Revista Semana.com. En www.semana.com
CAIRNS, Stephen. (2004). Drifting: Architecture and Migrancy. London: Routledge
CALVINO, Italo. (1996). Six Memos for the Next Millenium: Visibility. Great Britain: Vintage.
________. (1997). Le città invisibili. Great Britain: Vintage.
CLARKE, Graham. (1997). The Photograph. New York: Oxford University Press.
COLEMAN, A. D. (1998). Depth of Field: Essays on Photography, Mass Media, Lens Culture. New Mexico.
DALÍ, Salvador. (1944). Dream caused by the flight of a bee around a pomegranate, a second before waking up in ‘Surrealism’. London: Taschen.
DE CERTEAU, M. (1984). The Practice of Everyday Life. Trans. S. Rendall. Berkeley: University of California Press.
ELLISON, Ralph. (1952). Invisible Man. London: Penguin Books.
ENGELS, F. (1845). The Condition of the Working Class in England. London: Penguin.
FALCONI, José. (2007). Support letter. Boston: Curator Art Forum Harvard University.
FALS BORDA, Orlando. (1969). Subversion and Social Change in Colombia. New York: Columbia University Press.
FREEDBERG, D. (1989). The Power of Images. London: The University of Chicago Press.
GAVIRIA, José Obdulio. (2008). El país según José Obdulio. Revista Cambio. Bogotá: Publicaciones Cambio. cambio.com.co/portadacambio/789/4445405- ag-3_3.html
GELL, A. (1996). Vogel’s Net: Traps as Artworks and Artworks as Traps. Journal of Material Culture, 1: 15-38.
GIBRAN, Kahlil. (1966). The Essential Kahlil Gibran. New York: Citadel Press.
GILBERT, Alan. (1994). The Latin American Cities. London: Latin America Bureau.
GOTTWALD, M. (2004). Protecting Colombian refugees in the Andean region: the fight against invisibility. Oxford: Oxford University Press.
GROESZ, E. (1986). Language and the limits of the body: Kristeva and abjection. In E. GROSZ, T. THREADGOLD, D. NELLY, A. CHOLODENKO, E. COLLESS (Eds.), Futur*Fall: excursions into post-modernity. Sydney: Pathfinder Press and the Power Institute.
GRUNDBERG, Andy. (1990). Crisis of the Real; writing on Photography 1974-1989. West Hanover: Apertura.
HALLIDAY, Paul. (2008). MA Photography & Urban Cultures convenor. London: Goldsmiths, University of London.
HORKHEIMER, M. & ADORNO, T. (1987). Dialectic of Enlightenment. Translated by John Cumming. New Cork: Continuum.
HUMAN RIGHTS WATCH. (2005). Displaced and discarded: the plight of internally displaced persons in Bogotá and Cartagena. New York: Human Rights Watch.
JACKSON, John A. (1986). Migration. Aspects of Modern Sociology. New York: Longman Inc.
KEITH, M. (n.d.). Identity and the Spaces of Authenticity. London: Routledge.
KUSHNER, T. & KNOW, K. (1999). Refugees in an Age of Genocide. London: Frank Class.
LEFEBVRE, H. (1991). The Production of Space. Trans. D. Nicholson-Smith. Oxford: Blackwell.
LEVI-STRAUSS, Claude. (1968). The Savage Mind. Chicago: The University of Chicago Press.
LOS GAITEROS DE SAN JACINTO. (2006). Un Fuego de Sangre Pura. USA:Smithsonian Folkways Recordings.
LOZANOVSKA, M. (1997). Abjection and architecture: the migrant house in multicultural Australia. In NALBANTOGLU G. B. and THAI W. C. (Eds.),
Postcolonial Space(s), 1001-129. New York: Princeton Architectural Press.
LÜBBERS, M. & AUTHOR. (2008). Attraction: ‘Operación Jaque’. London: Quickflicker Film Festival.
LYNCH, Kevin. (1960). The Image of the City. Cambridge: M.I.T. Press.
MANDANI, Mahmood. (1973). From Citizen to Refugee: Ugandan Asians Come to Britain. London: Francis Pinter. N.A.
MARCUS, S. (1973). Reading the illegible city. In DYROS, H. J. and WOLFF, M. (Eds.), The Victorian City: Images and Realities. London: Routledge.
MATISSE. French edition. New York: Simon & Schuster.
MITCHELL, W. J. T. (2005). What do pictures want? Chicago: The University of Chicago Press.
MONSALVE, Diego. (1927). Colombian cafetera. Barcelona: Artes Gráficas.
MORTON, A. L. (1969). The English Utopia. London: Lawrence & Wishart.
MUÑOZ, Manuel Ramiro. (2008). DVV International – Migration and Integration: Educational Needs and Forced Displacement in Colombia. Number 70. www.iiz-dvv. de/index.php?article_id=728&clang=1
NAGLE, Luz E. (2004). Colombian asylum seekers: what practitioners should know about the Colombian crisis. Washington: Georgetown Immigration Law Journal.
NALBANTOGLU and W. C. THAI. (Eds.). Postcolonial Space(s). New York: Princeton University Press.
NERUDA, Pablo. (1969). Twenty love poems and song of despair. London: Jonathan Cape. www.neruda.uchile.cl
RAVENSTEIN, E. G. (1885). The Laws of Migration. London: Journal of the Royal Statistical Society.
RESTREPO, José Alejandro. (2008). Cuerpo teológico - político: una entrevista a José Alejandro Restrepo. Trans by Author. Revista Arcadia. Bogotá. www. periodicoarteria.com/articulos/art3.htm
RESTREPO, J. A. and SPAGAT, M. (2005). Colombia’s tipping point? London: International Institute for Strategic Studies.
RILKE, Rainier Maria, (1975). Duino Elegies and The Sonnets To Orpheus. Translated by A. Poulin, Jr. Boston: Houghton Mifflin Company.
SALDARRIAGA ROA, Alberto. (2001). La Arquitectura como Experiencia. Trans by Author. Bogotá: Villegas Editores.
SENNETT, Richard. (1977). The Fall of Public Man. Cambridge: CUP Chaps. Faber and Faber.
________. (1994). Flesh and Stone: Chapter 7 Places Full of Time. New York: W.W Norton and Blackwell Company.
SIMMIE, J. M. (1974). Citizens in Conflict: Social conflict and spatial inequality. London: Hutchinson and Co Ltd.
SHIELDS, Rob. (2003). www.carleton.ca/~rshields/index.htm
SONTAG, Susan. (2000). On Photography. New York: Penguin Books.
STALLYBRASS, P. and WHITE, A. (1986). The Politics and Poetics of Transgression. London: Methuen.
TAUSSIG, Michael T. (1980). Quoting a Colombian peasant. The Devil and Commodity Fetishism in South America. North Carolina: The University of North Carolina Press.
________. (1993). Mimesis and Alterity. New York: Routledge.
____. (1999). Defacement: Public secrecy and the labor of the negative. Stanford: Stanford University Press. Cover.
UNHCR. (1984). Cartagena Declaration on Refugees. Geneva: Media Relations and Public Information Service.
________. (2008). 2007 Global Trends: Refugees, Asylum-seekers, Returnees, Internally Displaced and Stateless Person. http://unhcr.org/statistics/ STATISTICS/4852366f2.pdf
VAN HEAR, N. & MCDOWELL, C. (Eds.). (2006). Catching fire: containing forced migration in a volatile world. Oxford: Lexington Books.
WILLIAMS, Raymond. (1973). The Country and the City. New York: Oxford University Press.
www.cambio.com.co/portadacambio/785/ARTICULO-WEB-NOTA_ INTERIOR_CAMBIO-4380169.html
www.eltiempo.com/justicia/2008-03-04/ARTICULO-WEB-NOTA_ INTERIOR-3984686.html
www.facebook.com/press/info.php?statistics
www.jasminacibic.org & pandbshowcase.co.uk/archive/round1/visual/#%23
www.revistaarcadia.com/ediciones/32/portada1.html
Descargas
Los datos de descargas todavía no están disponibles.
