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Sadullaeva, A., Xudaibergenov, A., Iskenderova, E., Xodjalepesova, I., & Taspanova, J. (2025). Interpretación del concepto del amor en la novela "Teatro", de W. Somerset Maugham. Discusiones Filosóficas, 26(47). https://doi.org/10.17151/difil.2025.26.47.3
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El objetivo de este estudio es identificar y analizar las interpretaciones del concepto de «amor» en la novela «Theatre» de Somerset Maugham a través del prisma del análisis literario, filosófico y lingüístico. El estudio se basa en la edición impresa de la novela de 1937 y en su versión electrónica de 2001, disponible en la plataforma Internet Archive. Se lleva a cabo un análisis detallado de más de 100 fragmentos de texto, en los que el concepto de amor se revela en diversas formas, incluyendo el amor romántico, las relaciones pragmáticas, el amor como manipulación y el afecto maternal. El análisis muestra que el autor transmite el concepto de amor a través del simbolismo teatral, reflejando la dualidad de los sentimientos humanos. El análisis de frecuencia demuestra que los lexemas clave asociados con el amor aparecen más de 200 veces en el texto, siendo «amor» el término más utilizado. El análisis léxico-semántico revela el predominio de expresiones de amor emocionalmente intensas, incluyendo epítetos intensos, construcciones sintácticas complejas y metáforas teatrales. El estudio realizado profundiza en la comprensión de los aspectos filosóficos y literarios de la obra y puede ser útil para investigar la evolución de las interpretaciones del amor en la literatura inglesa, analizar metáforas teatrales y comparar modelos nacionales de amor en diferentes culturas.
Referências
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Chingching, C. 2024. Enjoyment of love-related dramas and the implications of perspective taking. Communication Research. https://doi.org/10.1177/00936502241261124
Dahms, H. 2020. Science-fiction films and “love”: Toward a critique of regressive social relations. Soundings: An Interdisciplinary Journal, 103(2), 121-157. https://doi.org/10.5325/soundings.103.2.0121
Dosser, M. 2021. POP! Goes my heart: The sound of specific and general love in romantic comedies and dramas. Music and the Moving Image, 14(3), 46-60. https://doi.org/10.5406/musimoviimag.14.3.0046
Dowd, J., Crabtree, A., Cannon, B. 2021. Movies, gender, and social change: The Hollywood romance film. Journal of Gender Studies, 32(2), 201-214. https://doi.org/10.1080/09589236.2021.1979479
Giuliano, E. 2023. Xiaolu Guo’s a lover’s discourse: Analysis of the Influence of Roland Barthes. Annals of Ca’ Foscari: Oriental Series, 59, 455-474. http://doi.org/10.30687/AnnOr/2385-3042/2023/01/017
Hommes, M. 2020. To love and not to smother; Aliens, love and reproduction in Denis Villeneuve’s “Arrival” (2016) and Christopher Nolan’s “Interstellar” (2014). Diffractions, 2, 24-46. https://doi.org/10.34632/diffractions.2020.8390
Huang, X. 2022. Beyond labourer’s love: Rethinking early Chinese film comedy. Journal of Chinese Film Studies, 2(2), 277-297. https://doi.org/10.1515/jcfs-2022-0024.
Kristensen, J. 2023. Love theater: Intangible conflicts. Peripeti, 19(SI), 154-169. https://doi.org/10.7146/peri.v19iSI.137746
LaFlamme, M. 2022. A passion for love, and for theatre. Scene: Reviews of Early Modern Drama, 1, 1-7 https://doi.org/10.18357/sremd31201920638
Lect, A., M.Ali, R., Jabban, A. 2023. Love and war in the modern realistic theatre by Bernard Shaw: Arms and the man. Humanitarian and Natural Sciences Journal, 4(11), 124-129. https://doi.org/10.53796/hnsj41112
Mardiev, T. 2020. The interpretation of the concept of love related to of human’s emotions in English and Uzbek. American Journal of Social Science and Education Innovations, 2(11), 410-416.
Maugham, W.S. 2001. Theatre. New York: Vintage International. https://archive.org/details/theatrenovel0000maug
Maugham, W.S. 1937. Theatre. https://gutenberg.ca/ebooks/maughamws-theatre/maughamws-theatre-00-e.html
McCall, D.K. 1979. Simone de Beauvoir, “The Second Sex”, and Jean-Paul Sartre. Signs, 5(2), 209-223. http://www.jstor.org/stable/3173557
McKee, E. 2022. Loving out loud. Journal of Film Music, 10(2), 49-68. https://doi.org/10.1558/jfm.24719
Ndanyi, S. 2023. Popular Ethiopian cinema: Love and other genres. African Studies Review, 66(2), 551-553. https://doi.org/10.1017/asr.2023.25
Peck, L. 2023. Emma Rice’s feminist acts of love. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781009287234
Poulain, A. 2020. Blue balls of fire and the ethics of spectatorship: Verlaine, Yeats, Beckett. Angles: New Perspectives on the Anglophone World, 11. https://doi.org/10.4000/angles.2432
Roberts, B. 2023. Using Haraway’s split researcher in the context of theatre: A case study of subject/object in romantic love. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 7(2), 22. https://doi.org/10.20897/femenc/13550
Roșca, M. 2024. Love among ruins. The subversive potential of love in the dystopian and post-apocalyptic fiction. Philologica Jassyensia, 1(39), 151-161. https://doi.org/10.60133/pj.2024.1.11
Saliot, A. 2020. Jean-Luc Godard and Maurice Pialat reading Musset: Dreams and remains of a romantic theatricality. French Screen Studies, 20, 6-22. https://doi.org/10.1080/14715880.2018.1558028
Sang, T. 2022. Lexical-semantic Field used in demonstration of romantic love in poetry of Nguyen Trong Tao. International Journal of Social Science and Human Research, 5(5), 1717-1732. https://doi.org/10.47191/ijsshr/v5-i5-21
Schneller, T., Motazedian, T. 2022. Tugging at heartstrings. Journal of Film Music, 10(2), 7-48. https://doi.org/10.1558/jfm.20810
Schoenberger, C. 2020. Staging sincerity in Renaissance Italy and Early Modern China; Or, why real lovers quarrel. Poetics Today, 41(2), 281-299. https://doi.org/10.1215/03335372-8172584
Schopenhauer, A. 1986. The metaphysics of sexual love. Baltimore: Foundation for Classical Reprints.
Serttaş, A. 2020. Transformation of love in the digital age: The film her and reaching God through the love in the perspective of Sufism. CINEJ Cinema Journal, 8(2), 275-306. https://doi.org/10.5195/cinej.2020.264
Shevchenko-Hotsuliak, I., Casado-Gual, N. 2024. The ageing self through dramaturgies of memory loss and love: Tristan Bernays’ “Old Fools” and Nick Payne’s “Elegy”, New Theatre Quarterly, 40(1), 76-87. https://doi.org/10.1017/S0266464X23000362
Stümer, J. 2021. (Un)masking femininity: Desire and fantasy in Anna Biller’s “The Love Witch”. Feminist Media Studies, 22(5), 1211-1226. https://doi.org/10.1080/14680777.2021.1879195
Yang, R. 2023. Toward a regime of emotional authenticity: Eileen Chang’s literary transmediation of theater and cinema in two 1940s love stories. Modern Chinese Literature and Culture, 35(2). https://doi.org/10.3366/mclc.2023.0040
Zerovnik, M. 2021. How do you feel about love? Vampiric emancipation in the evening light of Elfriede Jelinek’s “Illness or Modern Women”. In: P. Ferstl (Ed.), Dialogues between Media (pp. 287-300). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110642056-023
Chingching, C. 2024. Enjoyment of love-related dramas and the implications of perspective taking. Communication Research. https://doi.org/10.1177/00936502241261124
Dahms, H. 2020. Science-fiction films and “love”: Toward a critique of regressive social relations. Soundings: An Interdisciplinary Journal, 103(2), 121-157. https://doi.org/10.5325/soundings.103.2.0121
Dosser, M. 2021. POP! Goes my heart: The sound of specific and general love in romantic comedies and dramas. Music and the Moving Image, 14(3), 46-60. https://doi.org/10.5406/musimoviimag.14.3.0046
Dowd, J., Crabtree, A., Cannon, B. 2021. Movies, gender, and social change: The Hollywood romance film. Journal of Gender Studies, 32(2), 201-214. https://doi.org/10.1080/09589236.2021.1979479
Giuliano, E. 2023. Xiaolu Guo’s a lover’s discourse: Analysis of the Influence of Roland Barthes. Annals of Ca’ Foscari: Oriental Series, 59, 455-474. http://doi.org/10.30687/AnnOr/2385-3042/2023/01/017
Hommes, M. 2020. To love and not to smother; Aliens, love and reproduction in Denis Villeneuve’s “Arrival” (2016) and Christopher Nolan’s “Interstellar” (2014). Diffractions, 2, 24-46. https://doi.org/10.34632/diffractions.2020.8390
Huang, X. 2022. Beyond labourer’s love: Rethinking early Chinese film comedy. Journal of Chinese Film Studies, 2(2), 277-297. https://doi.org/10.1515/jcfs-2022-0024.
Kristensen, J. 2023. Love theater: Intangible conflicts. Peripeti, 19(SI), 154-169. https://doi.org/10.7146/peri.v19iSI.137746
LaFlamme, M. 2022. A passion for love, and for theatre. Scene: Reviews of Early Modern Drama, 1, 1-7 https://doi.org/10.18357/sremd31201920638
Lect, A., M.Ali, R., Jabban, A. 2023. Love and war in the modern realistic theatre by Bernard Shaw: Arms and the man. Humanitarian and Natural Sciences Journal, 4(11), 124-129. https://doi.org/10.53796/hnsj41112
Mardiev, T. 2020. The interpretation of the concept of love related to of human’s emotions in English and Uzbek. American Journal of Social Science and Education Innovations, 2(11), 410-416.
Maugham, W.S. 2001. Theatre. New York: Vintage International. https://archive.org/details/theatrenovel0000maug
Maugham, W.S. 1937. Theatre. https://gutenberg.ca/ebooks/maughamws-theatre/maughamws-theatre-00-e.html
McCall, D.K. 1979. Simone de Beauvoir, “The Second Sex”, and Jean-Paul Sartre. Signs, 5(2), 209-223. http://www.jstor.org/stable/3173557
McKee, E. 2022. Loving out loud. Journal of Film Music, 10(2), 49-68. https://doi.org/10.1558/jfm.24719
Ndanyi, S. 2023. Popular Ethiopian cinema: Love and other genres. African Studies Review, 66(2), 551-553. https://doi.org/10.1017/asr.2023.25
Peck, L. 2023. Emma Rice’s feminist acts of love. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781009287234
Poulain, A. 2020. Blue balls of fire and the ethics of spectatorship: Verlaine, Yeats, Beckett. Angles: New Perspectives on the Anglophone World, 11. https://doi.org/10.4000/angles.2432
Roberts, B. 2023. Using Haraway’s split researcher in the context of theatre: A case study of subject/object in romantic love. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 7(2), 22. https://doi.org/10.20897/femenc/13550
Roșca, M. 2024. Love among ruins. The subversive potential of love in the dystopian and post-apocalyptic fiction. Philologica Jassyensia, 1(39), 151-161. https://doi.org/10.60133/pj.2024.1.11
Saliot, A. 2020. Jean-Luc Godard and Maurice Pialat reading Musset: Dreams and remains of a romantic theatricality. French Screen Studies, 20, 6-22. https://doi.org/10.1080/14715880.2018.1558028
Sang, T. 2022. Lexical-semantic Field used in demonstration of romantic love in poetry of Nguyen Trong Tao. International Journal of Social Science and Human Research, 5(5), 1717-1732. https://doi.org/10.47191/ijsshr/v5-i5-21
Schneller, T., Motazedian, T. 2022. Tugging at heartstrings. Journal of Film Music, 10(2), 7-48. https://doi.org/10.1558/jfm.20810
Schoenberger, C. 2020. Staging sincerity in Renaissance Italy and Early Modern China; Or, why real lovers quarrel. Poetics Today, 41(2), 281-299. https://doi.org/10.1215/03335372-8172584
Schopenhauer, A. 1986. The metaphysics of sexual love. Baltimore: Foundation for Classical Reprints.
Serttaş, A. 2020. Transformation of love in the digital age: The film her and reaching God through the love in the perspective of Sufism. CINEJ Cinema Journal, 8(2), 275-306. https://doi.org/10.5195/cinej.2020.264
Shevchenko-Hotsuliak, I., Casado-Gual, N. 2024. The ageing self through dramaturgies of memory loss and love: Tristan Bernays’ “Old Fools” and Nick Payne’s “Elegy”, New Theatre Quarterly, 40(1), 76-87. https://doi.org/10.1017/S0266464X23000362
Stümer, J. 2021. (Un)masking femininity: Desire and fantasy in Anna Biller’s “The Love Witch”. Feminist Media Studies, 22(5), 1211-1226. https://doi.org/10.1080/14680777.2021.1879195
Yang, R. 2023. Toward a regime of emotional authenticity: Eileen Chang’s literary transmediation of theater and cinema in two 1940s love stories. Modern Chinese Literature and Culture, 35(2). https://doi.org/10.3366/mclc.2023.0040
Zerovnik, M. 2021. How do you feel about love? Vampiric emancipation in the evening light of Elfriede Jelinek’s “Illness or Modern Women”. In: P. Ferstl (Ed.), Dialogues between Media (pp. 287-300). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110642056-023
