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Romano, PhD, L. (2024). The truth of the artwork From the artistic object to the artwork as a Loop. Discusiones Filosóficas, 25(44), 15–32. https://doi.org/10.17151/difil.2024.25.44.2
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Authors
Luca Romano, PhD
Università degli studi di Bari
Abstract
Through the interpretations of artwork provided by Hegel, Kant, and Heidegger, the artwork presents itself as complex and often irreducible. The reading offered by Harman, grounded in Object-Oriented Ontology (OOO), constructs a historically significant interpretation but does not exhaust the problematic nature of artwork represents. Through this article, I have attempted to demonstrate the functionality of the concept of loop applied to artwork, providing general connotations and linguistic tools for interpreting artwork as a loop.
References
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Morton, T. Hyperobjects. University of Minnesota Press, 2013.
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Dipinti
Paul Cézanne, Montagne Sainte-Victoire, Huile sur toile, Musée d’Orsay, 1890.
Deleuze, G. Mille plateaux. Capitalisme et schizophrénie. Les editions de Minuit, Paris, 1980.
Deleuze, G. Nietzsche e la filosofia, tr. it di Polidori F. e Tarizzo D. Einaudi, Torino, 2002.
Derrida, J. La Vérité en peinture. Flammarion, Paris, 1978; La verità in pittura, trad. it. di Pozzi G. e Pozzi D. Newton Compton, Milano, 1981.
Derrida J. Pensare al non vedere, trad. it di. Cariolato A. Jaca Book, Milano, 2016.
Fried, Michael. Art and Objecthood. University of chicago press, Chicago and London, 1998.
Heidegger, M. L’origine dell’opera d’arte, in Sentieri interrotti, trad. it. di Chiodi P., La nuova Italia, Firenze, 1968.
Harman, G. Object-Oriented Ontology: A New Theory of Everything, Pelican, 2018.
Harman, G. Arte e oggetti, trad. it. a cura di Ferro F., Mimesis, Milano-Udine, 2023.
Harman, G. “Merely Intentional Objects: A Defense”. Foundations of Science, vol. 28, 2023, pp. 1177-1183. https://doi.org/10.1007/s10699-022-09862-0.
Hegel, G.W.F. Lezioni di estetica, Trad. it. di Paolo D’Angelo, Laterza, Roma-Bari, 2000.
Lacou-Labarthe, P., Nancy, J.-L. (eds). Les Fins de l’homme. À partir du travail de Jacques Derrida [Congresso di Cerisy-la-Salle dal 22 luglio al 2
agosto 1980], Galilée, Parigi, 1981.
Lam, K. S. L. and Aman, G. M. “The Repetitive Behavior Scale-Revised: Independent Validation in Individuals with Autism Spectrum Disorders”. Journal of Autism and Developmental Disorders, vol. 37, 2007, pp. 855-866.
Lemm, V. “L’opera d’arte e la morte di Dio. Nietzsche e Agamben”. Etica & Politica / Ethics & Politics, vol. XXII, n° 3, 2020, pp. 109-128.
Langen, M., Durston, S.,Kas, M. J. H., Van Engeland, H., Staal, W.G.“The neurobiology of repetitive behavior: …and men”. Neuroscience & Biobehavioral Reviews, vol. 35, no. 3, January 2011, pp. 356-365.
Morton, T. Hyperobjects. University of Minnesota Press, 2013.
Mulligan K., Searle. “Derrida and the Ends of Phenomenology”. The Cambridge Companion to Searle, edited by Smith, B., Cambridge University presso, Cambridge, 2003.
Nietsche, F. Opere complete. Vol. 5/2: Idilli di Messina-La gaia scienza-Frammenti postumi (1881-82), Colli G. e Montinari M. (eds), br., pp. XI-
570, ill., Adelphi, Milano, 1991.
Dipinti
Paul Cézanne, Montagne Sainte-Victoire, Huile sur toile, Musée d’Orsay, 1890.
