Authors
Abstract
This paper intends to advance an opinion out of which we can give a new approach to the philosophy of guitar, in a sophisticated enough way that improves over the current views. With the idea of bringing to light this important topic, this paper will take us to a new philosophy of guitar in virtue of the musical-aesthetical knowledge of the classical, to appreciate the general values of musical arrangements. Aiming to a better understanding of this approximation, emphasis is made through the prism of guitar experience and from the point of view of new needs for the literature of classical guitar.
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