Creación colectiva e investigación: “rastros sin rostros” y la propuesta de un modelo metodológico

Abstract

The paper pretends to account for the creative-investigative process or journey obtained in the research project approved by the Research Vice rector’s Office at Universidad de Caldas with the “Theater, Culture and Society” research group belonging to the Scenic Arts Department. The project is based on the forced displacement problem in Colombia and results in the scene setting and dramaturgic material production of the “Trails without Faces” play which is conceived from the collective creation work style which allows to ask through improvisation, as a fundamental tool, the different possibilities and scenic creative ways from what is known as the actor’s theater art.

Keywords

Collective creation

forced displacement

creation-investigation

actor’s theater art

contemporary theater

References

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