Authors
Abstract
ABSTRACT: This work invites the reader to recognize the cultural expressions that are constructed in the university atmosphere, that become almost imperceptible in programs like Veterinary and Animal Science, full of technical and scientific components, where human manifestations such as the arts are not thought to have a place. This analysis was made on the influence exerted by art and the artistic activities on the degree of social awareness of the students of the Veterinary and Animal Science Program of the Faculty of Agriculture and Livestock at the Universidad de Caldas. By scrutiny to 600 students registered in the Veterinary and Animal Science Program (100% of the population), 227 students answered, and from these, the number of people who carry out artistic activities combined with their academic work was determined. With individual interviews, the artistic tendencies of the students were detected, such as the vision that each person has of art and of the technical program and the influence that the artistic activity has had on their lives and labor inclinations, as well as the social awareness levels linked to the aesthetic perception. The results showed that the development of art and an aesthetic conception is reflected on the personal formation, in the understanding of cultural diversity and in the social awareness of the students.
Keywords:
References
Cassier, E. La filosofía de la ilustración. México: Fondo de Cultura Económica, 1981.
Coronado, M.N. Rectora Colegio Departamental para la educación e investigación Artística- CEINAR. In: Educación Artística, República de Colombia, Ministerio de Educación Nacional. Bogotá, 2000.
Secretaria de Educación Municipal Alcaldía de Manizales. La comunicación y el arte en la formación humana. In: I Congreso de Educación Artística. , Escuela Normal Superior de Caldas, 2006.
Foster, G.M. Las culturas tradicionales y los cambios tecnológicos. Segunda impresión. México: Fondo de Cultura Económica, 1992.
Gadamer, H.G. La actualidad de lo bello. Barcelona: Paidós, 1991.
Habermas, J. El discurso filosófico de la modernidad. Buenos Aires: Taurus, 1989.
Husserl, E. Meditaciones cartesianas. Madrid: Ediciones Paulinas, 1979.
La crisis de las ciencias Europeas y la Fenomenología trascendental. Barcelona: Crítica, 1991.
Ministerio de Educación Nacional República de Colombia. Educación Artística Serie lineamientos curriculares. www.eduteka.org/ pdfdir/MENLineamientosArtistica.pdf Bogotá, 2000.
Noguera, P. Especialización en estudios sociohumanisticos con énfasis en gestión de proyectos educativos y culturales. Universidad Autónomade Manizales, Área Cultura Humanística, Módulo número III, 1996.
Ospina, C.A. El sentido del arte como verdad. In: XIII Congreso Iberoamericano de Filosofía, 1994, Bogotá. Ponencia... Universidad de los Andes; 1994.
Schiller, F. Carta sobre la educación estética del hombre. Barcelona: Anthropos, 1990.
Tobasura, A.I.; Jiménez, J. Enfoque de extensión para programas forestales. Revista Agronomía. v.9, n.1, p.16-19,1999.
Vattimo, G.; Rovatti, P.A. El pensamiento débil. Madrid: Cátedra, 1990.