How to Cite
Narváez Díaz, Álvaro. (2009). Body-technology relations in the theatrical scene. Revista Colombiana De Artes Escénicas, 3, 103–113. Retrieved from https://revistasojs.ucaldas.edu.co/index.php/artescenicas/article/view/9312

Authors

Álvaro Narváez Díaz

Maestro en Arte dramático de la Universidad de Antioquia. Especialista en Artes de la Universidad de
Antioquia. Actualmente se desempeña como docente investigador de la Universidad de Antioquia.

Universidad de Antioquia
a@gmail.com

Abstract

Art and science make up diverse ways of constructing bodies, with current infinite mutations, with unimaginable devices and plug-ins, with virtually multiplied bodies, mutant bodies, altered in their shapes, in plastic and metallic combinations, bodies not made up of necessarily beautiful shapes, but rather emotionally seductive ones. These bodies surpass reality, with a fragmentation of the ideals and pillars previously established, expanding the notion of beauty and above all theatricalizing life, making each body a particular place, armed with multiple ideals.

Gonzales. (1994).

Macgowan, K. y Melnitz, W. (1994).

Mejía, Orlando. (2001). Clones, Ciborgs y Sirenas.

Pardo. (1992).

Ramírez, J.A. (2003). “Cuerpo ideal, cuerpo canónico”. En Corpus Solus.

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