Teatro poshistórico o en diferencia

Abstract

More than 40 years ago Hans Thies Lehmann proposed in his book “Post dramatic Theater” some theories about post-dramatic theater which can be used as theses during a logical and understandable conceptual perspective. Our author questions himself about the limits of contemporary theater which is day by day searching for new languages due to the existence of a sensible gap between potential audience members and the type of theater work performed. This brings as a consequence the transformation of the time unity, action and space traditional lines of development, moving away from the naturalist, epic and conventional theater.

Keywords:

Acción

contemporáneo

espacio

lenguaje

naturalismo

posdramatico

poshistórico

tiempo

Action

contemporary

space

language

naturalism

post-dramatic

posthistoric

time

References

Artaud, Antonin. (1971-1985). Mensajes revolucionarios. Cartas desde Rodez Van Gogh.Heliogabalo. Artaud le Momo. Madrid: Editorial Fundamentos.

Lajos Egri, Lajos. (2009). El arte de la escritura dramática. México:, Centro Universitario de estudios Cinematográficoss, México, 2009.

Goméz, Lola. (2007). Poéticas de la globalización en el teatro latinoamericano. California: Ediciones de Gestos.

Marina Lamus, Marina. (2010). “Teatro colombianao, Reflexiones teóricas para su historia”. En:, Separata Revista ATeatro., Medellín, 2010.

Lehmnann, Hans Theis. (1999). Post-Dramsko Gledalisce. Alemania: Editorial Maska. Lola Proaño.Goméz, Poéticas de la globalización en el teatro latinoamericano. Ediciones de Gestos, California, 2007.Pavis,

Patrice. (1990). Diccionario del teatro. Barcelona: Editorial Paidos.

Rizk, J. Beatriz. (2007). Posmodernismo y teatro en America Latina. Minnesota: The state of Iberoamerican Studies Series.