La hermeneútica del actor o la labor del actor sobre sí mismo

Abstract

Taking Foucalut’s text The Hermeneutics of the Subject as a reference, this article tries to explain which would be the type of work the actor must carry out. Different from Plato’s “ION” (dialogue) that, mocking his specificity as orator, gives all responsibility of its emotional effect on the audience to divine inspiration. These words also try to determine which of the corporal, vocal, or interpretative techniques or the intellectual education is one of their works to change their lives not in a show of human miseries promoted by reality shows, but in the “example” of a life dedicated to art, though sharing the same frictions and complexities of their buddies.v

Keywords:

Técnica actoral

la labor escénica

la preparación del actor

actuación

expresión corporal

voz escénica

misterio e inspiración divina de la actuación

Actor techniques

scenic work

actor’s preparation

performance

corporal expression

scenic voice

mystery and divine inspiration in performing

References

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Foucault, Michel. (2006). Hermenéutica del Sujeto. Buenos Aires: FCE.

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