La commedia dell’arte: génesis de un arte escénico

Abstract

Implicitly, professional theater as commedia dell’arte personifies the starting point for the scenic beginning and creation supported on strong interpretative-theatrical work bases of staging and spatial disposition and design, which entailed evidently to a gradual development of scenic arts or of theater, to be more precise. The characteristics mentioned above, as well as other of the same relevance of this first professional theater, were unique aspects that personified, symbolized and materialized the interpretative work as it is known today and from which solid and powerful interpretation and character characterization were extracted in which great literature, drama and theater writers found support. Also, the creation and emerging of theater companies that at the beginning spread all over Italy and that little by little were going all over the European counties and, thanks to their peak
could sow in the artistic womb of each country a legacy proper from scenic arts which could germinate away from Europe and has been preserved until now.

Keywords:

Arte escénico

commedia dell’arte

improvisación

interpretación

teatro

Scenic Arts

commedia dell’arte

improvisation

interpretation

theater

References

Boiadzhiev, G. N, Dzhivelegov, A. K.& Ignatov, S. S. (1976). Historia del teatro europeo. La Habana: Editorial Arte y Literatura.

Nicoll, A. (1977). El mundo de Arlequín.Estudio crítico de la commedia dell’arte.Barcelona: Barral Editores.