Abstract
In order to develop these ideas I must imagine standing in front of the mirror and touching the bottom of the reality I know from history and from what I have experienced. For it is from there that I can start questioning, in a reflexive way, my work as a future actress. I will talk first about what some people who have dedicated their kives to study and live from theater say. Then I will reflect on what is then the work of the actor-actress. I quote my personal experience in my process as a Bachelor in Performing Arts with emphasis in Theater from Universidad de Caldas.
References
Bogart, A. (2008). La preparación del director - siete ensayos sobre teatro y arte. (D. Luque,Trad.). Barcelona, España: Alba Editorial,s.l.u.
Mauro, K. (2004). Informe III. El Método de las Acciones Físicas de Raúl Serrano.Alternativateatrla.com. Recuperado http://www.alternativateatral.com/nota312-informe-iii-el-metodo-de-las-acciones-fi sicasde-
raul-serrano
Stanislavski, C. (1995). Un actor se prepara.Capítulo I y II. Recuperado de http://www.ucientifica.com/biblioteca/biblioteca/documentos/web_cientifica/humanidades/actor-prepara.pdf
Wikipedia. (2013, 4 de noviembre). Casandra.Recuperado de htt p://es.wikipedia.org: http://es.wikipedia.org/wiki