Authors
Abstract
The emergence of artistic movements and in turn of various forms of art and aesthetic creations have displaced artists of contemporary art, more precisely of postmodern art, to a given encounter between their creative abilities and certain factors that are implicit in the contextual reality of the artist. Such factors are immersed in daily spheres and universes linked to events that occur in urban areas, being this the case of the conflict, the main vortex that triggers artistic creations, creations arising from the tacit conflict that exists in the major city and that once mutated by the artist’s vision, it moves again to the urban space now as a body or form of art formed by the creative artist. This art conceived in permanent conflict environments leads from, by, and for the body a device where the artwork-viewer relationship has a different treatment.
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References
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