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Abstract
Objective: To study and systematize the first experiences of post-dramatic Colombian theater in two main stage productions of the 80’s: The Perfect World and Outside, OK? Divertimento for the Deaf and the Schizoid, two dramatic and put on stage works of the author. Scope: It is about highlighting these scenic experiences that become a milestone in the history of Colombian theater, as their projection and visibility are important for future research on these topics.Methodology: A descriptive methodological approach is used since the article is intended to make an exhausting memory of the process undertaken by the actors who participated in its creation and staging. Conclusions: Establishment of a systematization proposal of the staging processes of the two plays through the voices of their principal actors, in a fundamental work that will serve the new generations of playgoers to know firsthand the recent history of the Colombian theater movement.
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References
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