Authors
Abstract
Gilles Deleuze did not like theatre that much. If the French philosopher worked three times on analyzing performing arts, these tree moments did not define a Deleuzian thought on theatre. And even worst, not only we are facing some sort of no thought, but we have a reflexion in which he does not play the main role. But one may wonder also if, what emerges here is a very lively theoretical posture and thus more life-giving- than one would have imagined. Perhaps, by accumulating denials, would not be Deleuze telling us something radical and disturbing for reflection regarding theatre practices today?
Keywords:
References
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