Procesos de creación escénica de pequeño formato : feroz, una tragedia clown.

Abstract

This article analyzes the methodological and somatic aspects of a creative process where the roles of authorship, production and acting are performed by the same person. It is an aftermath reflection in first person that is based on an auto ethnographic process, it proposes strategies for small format creations. The piece “Ferocious, a clown tragedy” is a one woman show that was written in an artistic residency in Scotland and produced in Colombia, it explores the theme of human trafficking in the language of clown.

Keywords:

unipersonal

clown

auto etnografía

pequeño formato

procesos de creación

performance process

solo

small format

auto ethnography

clown

References

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Nachmanovitch, S. (1990). Free play: improvisation in life and art. 1st ed. New York: Jeremy P. Tarcher.

Pinkola, C. (2004). Mujeres que corren con los lobos. Barcelona, España: Editorial Byblos.

Schechner, R. (2002). Performance Studies: an introduction. London: Routledge.